![]() But before that the recorded raw data has to be converted and this is where Adobe Raw Converter and Iridient differ, with the latter under circumstances giving more detail.Īnything having to do with 'duller", or "more vivid" will have to do with Lightroom's processing after conversion and is why it needs to be equalized for all three examples. But that is the second step and can added by taste. This rather suggests to me that you are looking at / talking about the color / tonality / contrast. That would be interesting, but I will leave that to someone else. This would tell us which converter is staying the most true to the color profile as captured by the camera. I guess someone could use that to look at the raw files histogram and then compare it to the histogram post conversation with each product. My eyes tell me that Adobe DC is rather dull and the other two are about equally more vivid. ![]() Outside of something like a histogram all you have to compare the conversion made by these three converters is your eyes. I don't place emphasis on the histogram, it was just some information that I had that I thought might be meaningful to someone. But, I must have given you the wrong impression. If you want to see what is going at the raw file level you need to look at a true raw histogram such as that produced by a program like RawDigger: You should be aware that the histogram you are seeing in LR is not based from the raw data but on the image as processed by LR. So having a better out-of-box solution is greatly preferred.You seem to place a lot of emphasis on looking at the histogram. With this one change, the DNGs that are imported into Capture One no longer require a change to the ICC profile!Īs a proud as I am that I managed to make an ICC profile to correct the DNG colors, I am honestly the least qualified to do so. The new feature is the ability to use Iridient Standard as the default camera profile. Multiple images could be given the same sequence number and one would fail to be saved.Ī lot of good stuff, but there one item that really made a world of difference for the GFX 50S which I highlighted in bold. ![]() The results now should match up much more closely to the camera JPEGs and Lightroom as well.įixed a multi-threading issue with the sequence number based file naming when batch processing. Updated camera calibration and profile information for models newly supported in Adobe's latest DNG Converter 9.10.1 updates (X-T20, X100F, X-A10 and GFX 50S).įixed a Mac specific issue with setting the Save to Folder to a custom folder location.įixed some Mac specific crashing issues effecting older versions of macOS including 10.7, 10.8 and 10.9.įixed an issue with handling of automatic lens corrections metadata for vignetting where some lenses, particularly IS zooms, could show a notable under correction for vignetting. This prevents Lightroom's caching from becoming confused about the state of edits with the Edit In file. The modification date will be updated to the current time. When working with an Edit In intermediate file from Lightroom with the "Preserve File Date" option enabled only the creation date will now be preserved. This causes the DNG by default to load into Lightroom with an Adobe film emulation profile matching the camera settings for the RAF.įujifilm proprietary star rating metadata is now automatically converted to standard XMP metadata if the RAF does not have an XMP sidecar with a newer star rating value. There is a new option to translate the Fujifilm film style metadata into a Lightroom camera profile setting. This will prevent Lightroom from automatically writing metadata edits back to the DNG and will force use of sidecars for metadata storage. There is now an option to make the exported DNG file read only (or "locked"). Iridient Standard should be a closer match to Iridient Developer, however due to inherent differences in the camera profile formats (ICC versus Adobe DCP) the default color rendering will still not be identical. The complete release notes for X-Transformer is here, but I listed out the version 1.0 beta 4 changes below:Ī new Lightroom scripting plug-in is now available for sending images to Iridient X-Transformer for conversion which avoids some of the limitations and disadvantages of using Lightroom's external editing functionality (or "Edit In").Ī new option has been added to set the default DNG camera profile to either Iridient Standard or Adobe Standard. Since then Iridient has updated X-Transformer to 1.0 beta 4, so I gave it another spin. In my previous posts ( part1, part2, and part3) where I shared my search for an effective workflow for using the GFX with Capture One, I briefly touched on the usage of Iridient X-Transformer. As a Capture One user, I am disappointed that it does not support the Fujifilm GFX 50S raw files.
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